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With Shirtless Hunter Parrish, The Sky Is The Limit For ‘Weeds’

26 Jul

I usually find no reason to hide that I’m gay, or to hide things that might reveal my orientation (except, of course, for gay porn). Quite the opposite, actually. My Attitude issues are on proper display, and I’ve made no secret of my fondness for bands such as Hanson and Savage Garden, neither of which are exactly the straightest acts in pop. Still, for someone like me, who’s still weirdly uncomfortable about other people commenting on my being gay, there’s something utterly relieving about a film, a band or a TV show with hot people in it whose quality is beyond doubt. That way, at least people won’t assume you’re gay simply for watching it, or listening to it.

This was more important before I came out, but still. Try for yourself to explain why their was some plausible, totally non-sexual reason you were caught watching the Jesse McCartney soap Summerland or gay themed tear-jerker Dawson’s Creek. Of course, you’d be hard pressed to find any. Same goes for a more recent example like High School Musical. If you’re not out yet, it won’t out you, but your social status will take a hit. If you’re out, you’ve just stereotyped yourself as a shallow horndog (which of course could be pretty close to the truth, but let’s say it isn’t, for the sake of argument. At least not all the time).

Anyway, all this takes us to Showtime’s comedy Weeds, arguably the best show on American TV. It’s so clever, funny, fresh and unpredictable that no one would ever suspect even the gayest of friends to watch it for shallow reasons. It’s so good it could very well be the perfect comedy to bring people together across sexual orientations. And it holds even though there is an openly gay recurring character (Nancy’s assistant Sanjay) on.

Consider the relationship between Hunter Parrish and Mary-Kate Olsen’s respective characters in season three. I assume more than a few straight guys and lesbians drooled over Olsen, while gays and straight women were having a field day with him. Yet nobody assumed anything about each other. Maybe TV is a force of freedom after all. We’ll see if it holds up in the ongoing fourth season, in which Olsen is out of the picture, and Silas Botwin turns his attention to older women.

But all said, I honestly don’t give a fuck about any of this. What I do care about, however, is Hunter Parrish’s new look, which is super hot. And ditto for his torso. And shoulders. And ass. To top it all of, he’s reported to haveĀ  a nude scene coming up. I wouldn’t miss it for the world. Weeds sure treats fans well.

Pull The Plug On ‘Don’t Ask, Don’t Tell’

24 Jul

The ‘Don’t Ask, Don’t Tell’ (DADT) policy that allows gays and lesbians to serve in the U.S. military so long as they don’t disclose their sexual orientation, was a compromise the Clinton Administration crafted in the early nineties after squandering nearly all of its political capital on the issue at the beginning of its first term. It was seen as a step in the right direction by liberals, but the problem was that it accepted one deeply disturbing underlying premise: That openly gay servicemen and -women would pose a threath to troop cohesion and the overall efficiency of the military. Democratic presidential contender Barack Obama has said he favors a repeal of DADT, and even conservative Democrats like former Georgia Senator Sam Nunn has called for a ‘review’ of its consequences.

So, is change on the way? The answer of course depends on who wins the presidency in the November election, but even if the progressive Illinois Democrat is sworn in, DADT will only be on the table. The only thing we know for sure, is that DADT has a strong supporter in Obama’s opponent, Senator John McCain. In the widely panned CNN/YouTube debate last year, McCain said he believed DADT to be ‘working’, and he shared a stage with California Representative Duncan Hunter, who answered a question from a gay retired military man, by scaring him with the consequences for ‘troop cohesion’ and ‘effectiveness in combat’ if the policy were to change.

In a recent interview with CBS’s newsmagazine 60 Minutes, Congressman Hunter reiterated these statements, and he even elaborated on them. Apparently, Hunter consider blocking gays from serving openly is some uniqely American value, one that not only preserves the military’s moral high ground (sic!), but also sets the American way apart from their European counterparts, for which this is not even considered a problem. When asked about why important allies like Great Britain have report no problems after lift their gay ban in the military, Hunter dug himself into a long and utterly pathetic monologue about how different military strategies could explain the differing attitudes. To Hunter, the Europeans ‘can afford’ to have gays in their military because their responsibilities are largely ‘peace-keeping missions’, in which the threath to troop cohesion apparently are not as grave. Americans, on the other hands, are fighting real wars, and hence the wimpy gays should be left out, for the good of both them and their straight comrades.

Well, no. It might be that the military is still a conservative bastion, but if the rules are changed, one would expect them to adapt. Young people are known to be more accepting of gays than older, and the public mood is swaying heavily toward allowing gays to serve. The obvious question then, being: Are high-ranking officials using recruits as an excuse for their own outdated values? And by constantly fretting about ‘troop cohesion’, isn’t the military telling people indirectly that a) our soldiers are not as professional as we might think; and b) it’s O.K. to take sexual orientation into account when it comes to solidarity on the battlefield? If either one of these two are right, this is highly disturbing.

The last point Congressman Hunter made was that letting gays serve could damage recruitment numbers. Obviously, this phony argument was doomed the moment it was uttered. The main reason the American military is able to meet its goals even today, is because the scores you have to get to join are constantly lowered. The sign-up premiums have shot up, and now even former criminals are accepted, to help fill the quotas. At the same time, 4,000 gays and lesbians are shut out every year, not because that are unfit to serve, but because they are gay servants. It’s bad enough that conservatives like Duncan Hunter wants to cripple the US military to keep his moral banner high. What’s even worse is that he won’t offer the real reason: He’s a homophobe.

Zac Efron, Feel The Love Tonight!

10 Jul

Rewatching High School Musical 2 this weekend did little to change my feelings about the movie (still mostly positive), but, having watched it several times already, my attention was drawn to things I hadn’t noticed the first times around. Most importantly, I realized I kept coming back to this movie not only because Zac Efron is sexy and the movie is pure escapist fun, but also because I quite like the music. I’ve always insisted that I’m not into musicals, but over the last couple of years, Moulin Rouge, Hairspray and the HSM franchise have repeatedly proven me otherwise.

It was one particular scene in High School Musical 2 that convinced me that this anti-musical prejudice is simply stupid. Even though I’ve never though of them as such, I realized that many of my old favorites among the animated Disney classics (The Jungle Book, The Lion King) are basically structured as musicals, and and damn good ones at that. (Both of them have actually been adapted to the stage in recent years.) Thus, I should be neither surprised nor embarrassed to embrace HSM2, a film from the Disney offset Disney Channel, and the more unabashed musical. All this dawned on me while watching Zac Efron perform the incredibly catchy solo number Bet On It. (Think N*Sync-era Justin Timberlake, complete with Cry Me A River-like jumpkicks).

Exactly why Efron’s character Troy Bolton at 2:25 into the song suddenly feels a need to stare at his own image in the water as if he was the reincarnation of Lion King‘s Simba is beyond me, but it’s there, and it’s so corny it’s actually kinda cute. Considering the target audience of HSM2 is barely old enough to have grown out of their Simba-philia, it makes perfect sense, too. Kids live off the safe and recognizable, and HSM2 taps into their rather limited arsenal of common pop culture references, whether intended or not. But if you ask how I noticed this, I will have no answer to offer up.

It doesn’t stop there, however. Could it really be a coincidence that when Efron in Everyday sings “I believe that you and me should grab it while we can“, the melody closely resembles when Elton Johns sings “When the heat of the rolling world can be turned away” from Can You Feel The Love Tonight? I think not.

I’m not sure what this does to my assessment of HSM2, but I’m pretty sure it’s not a bad thing.

Geek Squad

6 May

Apparently, I’m into geeks. This insight came to me a couple of days ago, mindlessly browsing YouTube for something (or someone) pleasant to watch. I don’t remember what I was looking for exactly, but luck directed me towards some old clips from the British pop show Popworld, and, more importantly, its gorgeous co-host Simon Amstell. The show’s run ended a couple of years back, and Amstell abandoned ship still earlier to pursue a career as a stand up comedian, but little tidbits are still available online.

With his big, curly hair, Amstell is probably not your average cutie, but his smile, in combination with his fresh British wit, totally had me melting. He seems to be a great interviewer, but I couldn’t help but focusing more on his looks than on the words that came out of his mouth. He may be slightly older than I usually go for, but I don’t care. And to top it all off, he’s gay, too.

Like Amstell, young actors Michael Cera and Jesse Eisenberg probably aren’t the kind of guys that most people would consider hot, but I am sort of in love with them both. Cera caught my interest with Arrested Development, but with Superbad and Juno he blossomed into an utterly lovable geek. Not all this has to do with looks, of course, as he is also an infectiously charming young man, but he sure looks good as well.

If I were to pick one thing that attracted me physically to all three of them, I’d have to say their smiles. I discovered Eisenberg as the insecure teen Kenny Green in Get Real in the early 2000′s, but his vivid charm is most fully on display in freshman writer-director Dylan Kidd’s Roger Dodger, in which Eisenberg all but repeated his Kenny Green shtick. The film is not your average sex comedy, and Jesse Eisenberg is not your average teen hearthhrob. But he’s mine. (For evidence that Eisenberg can be equally sexy as a moping, stubborn teenager, watch The Squid And The Whale. Several times over, like I did.)

57 Channels And ‘Dawson’ On

1 May

Flipping through the channels yesterday, I ended up with an old Dawson’s Creek episode. Even in its best moments the show was only bearable, but that doesn’t mean it doesn’t still have a special place in my heart. I watched the second season of the show on TV in the summer of 2005, and it wouldn’t surprise me if the ‘Jack-McPhee-is-gay’ storyline somehow helped me come to terms with my own feelings, when I finally faced them a year or so later. It was not so much that I thought Kerr Smith was kinda hot, than the pro-gay environment of Capeside in a way felt comforting to an insecure young gay looking into fiction from the real world.

This particular episode – it must’ve been from early in the third season or something – was nothing much, but it was still pleasant. Jack chickened out of his first gay date, because ‘ [then] I would not only tell the world that I’m gay. I would actually be gay.’ That would be a familiar position of sorts, were it not for the fact that I’ve never been on a date, gay or straight. On this sad note, we salute gay Dawson’s writer Greg Berlanti for actually writing some halfways decent scripts on this issue, particularly in the second season. And tomorrow I will probably make that half-conscious flipping of channels thing again, trying to deny that I’m really looking for another dose of Dawson’s escapism.

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