Early Gay Crushes: Zac Hanson

Zac Hanson will never be hot (but he comes close at times). When Hanson burst onto the international music scene with their infectious pop smash MMMBop back in 1997, he still had his long and unruly, girly hair, and even today, his chubbyness disqualifies him from the conventional definition of classical beauty. I don’t always strive for perfection, however, and therefore the young drummer has always been my favorite Hanson.

One could of course argue that it didn’t take much for me to development a crush on anybody at that age (I was approching my twelfth birthday as Middle of Nowhere hit the charts), but in retrospect I’m not ashamed of it. Much like my fondness for Backstreet Boys, my Hanson fandom had to be kept secret, however, among other things because being a Hanson fan was considered wimpy and gay among my peers. (In fact, it was not until the release of their third album, 2004’s Underneath, that I publicly admitted to being a fan.) The irony in all this is that the fact that their music was so widely ridiculed made me feel that I was less weird for actually having a crush on Zac Hanson than for liking their music. Even though I was the only one who knew about either, it became important for me to emphasise that I liked the band because of Zac, and not because of the music. I’m not gonna psychoanalyze any further, but I guess that’s an early that I would be accepting of my orientation once I finally realized who I really am.

One of the main reasons why Zac was my favorite, was of course that he was closest to my age. I dreamed about being his best friend (even though my sexual fantasies were all about guys – something I, oddly enough, didn’t connect to being gay until several years later -, I still didn’t think about having sex with them), and I simply wanted to achieve the same level of success that he had. I guess I thought he was cute, but I wasn’t mature enough to see that that was how I felt about him. I kept saying to myself that I liked him because he seemed like a fun guy (he was sort of the band mascot, and he still is, in a way). Both Taylor and Isaac were more obvious heartthrob material, but they didn’t interest me the way Zac did.

The memory of my Zac crush stayed with me for years after Hanson temporarily disappeared from the charts, and it recurred when the second album, This Time Around, was released in 2000. His slightly androgynous looks had now gone into full bloom, and though I still didn’t have the guts to embrace them publicly, I was definitely drooling over him in secret. Yes, his pony tail (2:29) looked absolutely ridiculous, but there is really something about those lips. And on a different note, is have to say Taylor never looked better than he did did back then.

Perhaps paradoxically, as I have grown into an all-out Hanson fan, starting with Penny and Me from Underneath, Zac Hanson has come to be less important for how I define my relationship to the band. But still, it would probably come as no surprise when I say that Zac was the first one I looked for in the music video, and that his sudden grown-up manliness was a very big part of the reason why I kept coming back both to the band and that particular song. He will never be the most world’s most sexy man, but as long as he stays cute, there’s now way I will cut off someone who has been this important in helping me define myself over the last eleven years.

Posted in gay, music, Uncategorized | Tagged , | 11 Comments

Early Gay Crushes: Jonathan Taylor Thomas

I’ve written previously about how one of the first things I did after I realized I was gay, was to think back at my childhood and early teen years for signs of my apparent homosexuality. And even though I didn’t perceive them as such at the time, no doubt they were there. Most boys don’t know what to make of their sexual feelings yet, and the idea of falling in love with someone is not something you’re expected to share with anyone, and hence I didn’t think it was weird that I thought the boys I saw in the movies were cute. I didn’t know what it meant to be gay, and we all knew that to admit to have a crush on a girl would be something close to social suicide, so I was quite happy with keeping my boy crushes to myself.

Jonathan Taylor Thomas must have been one of the first famous young guys I developed a crush on. I was ten when the awful family comedy Man Of The House was released, and I watched it obsessively. Though not exactly funny, it’s just the kind of sentimental story that works as reassuring for young viewers, and if I wanted to fool myself, I could be convinced that was the main reason why I couldn’t get enough of it. But now I realize it was only part of the explanation. The fact that I couldn’t take my eyes off of JTT counts for the rest. I thank my entire family for their patience in watching this very bad movie with me over and over again. Had they understood the full reason why (even I didn’t, mind you) I did, maybe they wouldn’t have been so patient after all.

My crush on Jonathan Taylor Thomas was just a phase, however, even though my general attraction to guys wasn’t. I followed Home Improvement semi-regularly because of him, but as he drifted out of the public eye, he drifted from mine as well. He was unable to claim a spot on my Sexiest Males Alive list for July, but sheer nostalgia will make sure he’s a contender for the August edition, to be published sometime next week. And though he’s not as swoonworthy (or maybe my taste has changed) as he was when I was younger (there was a time back then when I did much more than swoon over any young male celeb I could catch a glimpse of, but that’s beside the point), any guy who has a physical resemblance to Little Drummer Boy Zac Hanson is still a star in my book. Which reminds me of one possible choice for the next edition of this segment.

Posted in film, gay, TV | Tagged , , | 6 Comments

In Defense Of Backstreet Boys

In the shadows of interactive anonymity I can finally admit it: I am, and have to some extend always been, a Backstreet Boys fan. Careful not to commit social suicide, this has been my own personal secret, although I suspect my brother knows, being a closeted BSB fan himself. But I can’t help it, I simply find most of their hit material absolutely irresistible in its unabashedly sentimental, insanely catchy way. And more embarrassing yet, this has nothing to do with my being gay. Even though I guess I once found Nick Carter fairly pleasant to look at, my secret fandom was never triggered by a crush or me questioning my sexuality. It was all about the music.

It is my sincere opinion that several of the BSB smashes will go down in history as masterpieces of pop craftsmanship, not least owing to the pop sensibility of lead producer Max Martin. Some of the songs might at first seem almost outdated to today’s audience, lacking as they are any of the R&B influences that so inspire the genre in the 00’s. Still, if you listen to early singles such as Get Down or We’ve Got It Going On, you will recognize a sort of pre-Y2K catchiness. Even though their debut album had several other decent moments, most notably Quit Playing Games (With My Heart) and Anywhere For You, it was not until the second album, 1997’s Backstreet’s Back, that they had me.

Lead single Everybody took the production values up a notch, creating what in more than one meaning counts as the BSB equivalent of Michael Jackson’s floor-filler evergreen Thriller. Supported not so much by a music video as a short film, Everybody instantly gained traction with the MTV crowd. Deliciously danceable and utterly self-confident, it signaled that world dominance was on the books for the Florida five. Second single As Long As You Love Me was an instant love ballad hit with its simple, low-key melody, and 1999’s Millenium led with a similarly irresistible love song, I Want It That Way. It was this album that definitely catapulted the group to American superstardom, having first gained a dedicated pre-teen fanbase in Europe. With Backstreet Boys, someone was finally ready to replace New Kids On The Block as the world’s leading boyband.

BSB then returned to grandiose dance pop with the futuristic video for follow-up single Larger Than Life, but slowly the group’s heyday was about to pass. By the time Black & Blue was released I had stopped paying attention, and waded into safer territory (socially speaking), but Shape Of My Heart is just as perfect a ballad as The Call is undeniably catchy. The group may still not have become acceptable to feinschmeckers, but critics were not quite as harsh and condescending as they had been previously, with good reason, as I later learned.

Surprisingly, Backstreet Boys managed to get back in the spotlight with Incomplete in 2005, marking a return to the charts, followed by the obnoxious self-mockery of second single Just Want You To Know, but to me the magic was gone. The harmonies were still there, to be sure, but the songs weren’t as good, and neither was the production. From actually (however secretly) liking BSB for their music, I was now left with enjoying them in a sort of nostalgic way. Of course, this was easier among my friends, as you seem to be free to admit to pretty much anything as long as you can convince them that you’re being ironic. I could even be public about it, as everybody gladly assumed I was joking.

Just the other day I was trying to decide who had been the Backstreet Boys of the last couple of years, but I simply couldn’t think of any. It might be that the era of the boyband is over, or that now they look more like the Jonas Brothers than N*Sync. Either way, if this the end of boybands as we know them, then maybe we can finally acknowledge that they had their moments of pure pop music gold. In their corner of popworld, they might as well be the greatest act of the last ten years.

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Two Years Ago Today Since I Came Out

This is where this blog takes a turn for the conventional online diary, but frankly, I don’t give a damn.

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August 7 is the one day of the year when I allow myself to be absolutely, unabashedly, one-hundred percent gay. I don’t know much about personal courage, living in a liberal country with my liberal friends and liberal family, but I can’t help but feel a little bit of pride when I think back at the day when I finally took the leap, and told others about my true identity. That’s also why I so deeply admire all the young people growing up knowing, or simply fearing, that their being gay will cause them pain and exclusion, and then do go ahead and do it anyway – because they want to be true to themselves. These things take character.

But then again: Will you ever meet someone as critical and skeptical of you as you are to yourself? For me, the hardest part of the whole coming out process was to convince myself that this was the real deal, that my attraction and emotional bond to guys was not going to go away. I  was never a self-hating gay, I simply had trouble coming around to the fact that I was not quite like anybody else I knew. I had my first serious crush on a guy (a classmate of mine) back when I was thirteen, and another one when I was fifteen, and I guess I had briefly asked myself the supposedly terrifying question ‘You’re not gay, are you?’ (notice the somewhat defensive phrasing), but as those crushes faded, I simply went back to being the presumed heterosexual. Strangely, I never considered the fact that I never had any female crushes as an indication of gayness.

Anyway, it was not until I moved away from home back in 2004 to go to university, that I started rethinking who I really was. Even though I love both my older sister and my twin brother, and they have both been very supportive of me at all times, I found it liberating to get a chance to redefine myself to other people, without having them comment on every minor change in personality and appearance. When I think back on the period between the fall 2004 and Christmas 2005, I’m always struck by how obvious it seems to me now that I was slowly adopting a gay identity, and how I still didn’t see it myself. Being a pop culture wonk, I found a little bit of myself in such different works as Gregg Araki’s heartbreakingly earnest and beautiful gay-themed Mysterious Skin, and encores of Dawson’s Creek, but still I couldn’t collect the dots emotionally, so to speak.

It might seem odd, then, but what eventually made me realize I was gay, was that my twin brother came out to me in late November 2005. We’ve always been close, and of course I was both happy for him, and proud of him for acting on his realization. We gave each other a big hug, and I told him how happy I was for him. This was not my full reaction, however. I’m a little ashamed to admit this, but when he had left that night, I also battled a strange sense of envy. It wasn’t that I wasn’t truly happy he had finally concluded he could be open about his orientation; I was. Instead, I battled the conflicted feeling that he had somehow beaten me to it. At the time, I wasn’t ready to admit, neither to myself nor publicly that I was gay, but I assumed (wrongly, as it turned out) that the fact that he was now openly gay, could make it harder for me to conclude with regard to my own sexuality.

In retrospect, this of course seems like a really silly concern, but it was real enough back then. Gays pondering their identity ask all kinds of questions, not all founded in reality. Thus, one of my prime concerns, as I became more and more convinced throughout the spring and early summer of 2006 that I was in fact gay, was whether people I loved and trusted would consider me a ‘copycat’ if I came out so soon after my brother. They didn’t, of course, and had I not been so self-absorbed at the time, I would have realized the entire assumption was just silly.

When I retell the events of my self-realization to other people, I tend to say that I realized I was gay almost overnight. From what I’ve written so far, that of course is an exaggeration. But even though I might comprise what happened for dramatic effect, it’s not entirely false. It is in fact true that I decided to come out the very same day I told myself in a ‘it’s-not-just-a-phase, there-is-no-way-I’m-gonna-change-the-way-I-feel, this-is-the-point-of-no-return’ kind of way that I was gay. You can believe me or not, but as I woke up on Saturday August 5, 2006, from a night of conflicting feelings, and days of going around weighing the pros and cons, rejecting the last lifeline (‘Might I at least be bisexual?’, ‘What about that nice girl back in kindergarten?’ etc), I decided I couldn’t take it any longer.

And then I chickened out. Just like my brother had done the year before, I decided I wanted my father to be the first to know. Picking up the phone to call him probably is one of the hardest things I’ve done in my life, and that excruciating insecurity lingers, even though eventually I couldn’t get myself to tell him. I wanted to tell him in person, but I didn’t have the guts to arrange for us to meet. When I dropped the idea, and instead started talking soccer with him (a common passion), I was truly ashamed of myself for being weak, but also for not ending my state of emotional limbo.

As I often do when I’m frustrated or insecure in any way, I turned to writing to try to gather my thoughts and feelings. For therapy, I sat down and wrote a long essay, much like this one, to get down on paper what I felt about being gay and what should happened next. I went to the subject from every angle; writing about gay role models, the public attitude toward gays, and how I thought I would fit with gay sterotypes; early clues in childhood memories, my high school crushes, feelings about gay porn, and finally, what you could call a ‘roll-out strategy’ for how to come out to friends and family, how to tell them, when and in what order. This might sound silly (and it probably is, too), but as I wrote I had this one lyric from the deliciously catchy Savage Garden song ‘Hold Me’ constantly churning in my head ‘I believe you can’t control or choose your sexuality’. It became sort of a mantra  for me in the coming days.

My plan to first tell my dad, then my brother, followed by my sister and my two male best friends, was very close to getting scrapped when my sister dropped by that same evening. My head felt like it was going to explode, but again I couldn’t find the right way to say it. I knew she would be perfectly fine with it, but I forced myself to stick to the plan, though not before I had tried for several hours to make smooth segway into the topic of gayness. Even though in my many ways it was a painful evening, I learned one thing: In coming out to people, I had to be straightforward. Looking for ways to let the conversation just naturally turn to my own feelings, would only offer me excuses to back out. When I finally told her, a week later, after I had come out to my dad and my brother, I just straightened up and told her. She had in fact said for years that she thought I was gay (which, come to think of it, might have weirdly contributed to my insecurity), so she wasn’t exactly surprised. When I said ‘I have to tell you something. I think you might have heard it once before’, referring to my brother’s coming out, she simply broke me off, asking: ‘Is this more of the same?’, and started laughing. The laughter made me feel a little small, but she soon hugged me and told me she was cool with it. I loved her for it.

Anyway, dear reader, if you’re still with me, I’d like to return to the chronological order of events. By Monday August 7, I was back where it had all started two days earlier. Phone in hand, I was ready to call my dad to set up a meeting. I actually went though with it this time, but in a way, to say ‘I need to see you. There’s something I need to tell you’ was just as hard as breaking the actual news to him. I guess it had something to do with the fact that once I’d set up the meeting, there would be no way back. I had already made him understand I had something important to tell him, and if I tried to talk myself out of it, he would ask questions until he’d uncovered what I wanted to tell him. When he finally showed up, at 3.45 p.m., I was so nervous I thought I was going to die.

When I wrote earlier that I had to go straight to what I wanted to say, that too was a slight exaggeration. I hadn’t done this before, and I tried to buy time by making small talk about sports or the weather, or whatever. But that works for only so long, so at about 4.05 (I remember the time fairly exactly because I was watching my cellphone nervously every other minute), I said something along the lines of ‘There is, however, a specific reason why I wanted you to come. Over the last couple of days I’ve been doing some thinking. I think you might have heard this before, but here goes. I’ve found out that I’m gay, too.’ Even though I fought it vigorously, I had a smile on my lips when I uttered the word ‘gay’. I guess it was a sense of pride.

Then my dad smiled and said ‘Would it be appropriate to say congratulations?’. I nodded, and immediately I knew that all my paranoid questions had been more of a way for me to get my life in order, than founded in reality. He went to say all the things you want your dad to say in situations like these: ‘I’m glad you told me’; ‘Do you need any help breaking the news to friends or relatives’, ‘You have to do this in the way that you’re most comfortable with’ etc. In fact, he even asked me the ‘When did you know’ question, correctly sensing that I needed to talk to someone about this. I think I was even prouder of him than he was of me.

Coming out of course is a continuing process, and I’ve gotten progressively better at it. But on this very day two days ago, I didn’t have the capacity to imagine it would ever get any easier. That, among other things, is why today I once again embrace that old Savage Garden mantra: ‘I believe you can’t control or choose your sexuality’. I chose to live with it. Life is good.

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How I Tried And Failed To Hate Jonas Brothers

I’ve written several times before about how I don’t want to confirm gay stereotypes. Yes, I love ABBA, I confess to love Savage Garden, have been a Hanson fan for a decade, and I’ve even grown fond of movie musicals over the last couple of years. But, still, I have no interest whatsoever in either fashion, or make-up or shoes or shallow celebrities. I’m simply refuse to be that kind of gay. And this fear of running my gayness into overdrive hit me again when I realized I’m now officially an avid Disney Channel viewer.

Of course, watching Disney Channel is not gay in and of itself. The targeted audience are somewhere between toddlers and pre-teens. But the reason for my individual viewership is as gay as it comes. I knew something was wrong when I forced myself to like the initially unbearable family-oriented sitcom Phil of the Future, solely because of it’s boyishly cute lead, Ricky Ullman. Then the same thing happened when Jesse McCartney and Zac Efron guest-starred on the deafening Suite Life of Zack and Cody. Even though I’ve managed to keep away from That’s So Raven and Hannah Montana, that’s probably just because they have female leads.

What’s most concerning, though, isn’t that I sometimes give in to my needs to drool over hot guys in dreadful shows (after all, I took pride in my 7th Heaven worship for eleven long, and increasingly terrible seasons). No, it is that I have come to return to these shows because I think they’re sorta funny. I think Pim The Ice Princess in Phil deserves a laugh, and same goes for the deliciously goofy rich brat London, or the wooden Mr. Moseby, on The Suite Life. I know I should dismiss it as noisy, low-brow drivel, but most of the time I can’t. It was the same with FOX’s sitcom Malcolm in the Middle for the first two or three seasons. The Disney shows cannot match the hilariously rebellious streak of the Wilkerson saga of course, but it took me quite some time to look past the over-the-top-ness of that critical darling, as well.

And now it has happened again. A long-time foe of simplistic college rock, but at the same time a secret fan of catchy pop music of all kinds, I’ve found I cannot simply dismiss the latest Disney Channel household name, either. The Jonas Brothers now have their own franchise going, and the first few singles are actually just as catchy as the boys are cute. There is a certain all-out pop self-confidence in their appearance that sings to me, beyond their pleasant looks. Again, I know I shouldn’t, and especially not if I don’t want my gay instincts to overshadow my critical mind, but I simply can’t get that hit single, S.O.S., out of my head.

When your hear it, I bet you can’t either.

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Late In The Game, Jesse McCartney Is Overtaken By Hunter Parrish As Sexiest Male For July

Had the July edition of the ‘Sexiest Males Alive’ list been published two weeks ago, as I originally planned, I’m pretty sure Jesse McCartney still would have been in the number one spot. He looked hot in the June Attitude issue, and otherwise he did nothing to diminish his God-like status. So how could he be dethroned? It was inevitable, really, when the pics of Hunter Parrish from the new Weeds season came to my attention. That’s not to say that McCartney isn’t still absolutely adorable, or that he could not retake the top spot soon, but right now I’d feel like I was fooling myself if I didn’t put Parrish in pole position. As we’ll see in the write-up below, most of the changes to this month’s list are due to a person (for instance Raphael Nadal) getting my attention in a way that reminded me of how much I adore him and hence catapulted him upwards, more than it means that those going in the opposite direction have become any less attractive.

Let me just summarize: This month the list is expanded to fifty names. We have ten newcomers, and three among the top 25. The highest ranking newcomer is Ryan Sheckler at #13; climber of the month is Raphael Nadal, moving up 13 spots; Alfie Allen is the one experiencing the steepest fall, down a full 20 spots; and five people fell of the list (Daniel Radcliffe, Jonathan Taylor Thomas, Calvin Goldspink, Chris Trousdale, Zac Hanson). On that note, let’s see who’s left:

#1-#10: The real story here, apart from Hunter Parrish taking the lead, is the rise of Emile Hirsch. It might be that his gaining nine spots on this is list is the only good to ever come from his participation is the awful Speed Racer, but then at least it wasn’t a total waste (not for me, anyway). Cristiano Ronaldo got a bounce from Euro 2008, and Brits Charlie Hunnam and Mitch Hewer suffered minor setback but generally it was a steady month in the top-tier. We welcome Alex Pettyfer to the Ivy League of hotness.

#11-#20: Adorable nice-guy Ricky Ullman is moving up, and should credit Disney Channel for still airing repeats of Phil of the Future. Skaterboy Ryan Sheckler makes a strong debut, thanks to a couple od episodes of reality series Life Of Ryan, and his insanely fit body. At 18, he may be young, be he is still two years older than the comet of the second-tier, 3:10 To Yuma-star Logan Lerman. The main reason for his rapid rise, however, is reruns of his absolutely terrific breakthrough performance in the WB’s prematurely canceled Jack & Bobby. On the other side of the spectrum, Jesse Eisenberg drops nine spots, for no other reason than I haven’t watched The Squid and the Whale in a while. He’ll be back. Wimbledon exposure and a God-like upper body made this a great month for the aforementioned Raphael Nadal.

#21-30: David Archuleta, Max Theriot and Chace Crawford gives a fresh touch to the third tier. Crawford may seem like just a textbook playboy, but he’s brilliant at it. Archuleta and Theriot are both young, but they have a powerful mix of cuteness and undeniable talent. The O.C. alum Ryan Donowho nearly came out of the screen when I watched Imaginary Heroes again this, and his slacker-ish sex appeal makes him a future Top 20 contender. Leonardo DiCaprio and Aaron Carter both took a dive, but for the long run, Carter is worse of, by far. Any attention could get Leo back in the game, but my memories of Carter’s obnoxiousness in House of Carters may need a long time to fade. And how cute is he, really?

#31-40: At first sight it might seem like all of these guys are trapped in a downward spiral. But again I stress that this could change quickly. Even though they might not be Top 20 material, you’d be unwise to permanently write off Adam Brody, Ed Speleers, Brady Corbett or even Australian soap actor Ryan Clarke for a future spot in the top 30. Likewise, Michael Cera has a clear path back into the spotlight when I finally get around to seeing Juno again. Cheers to Welsh footballer Gareth Bale and Australian actor Rhys Wakefield for their more than respectable first showings. Aurelien Wiik’s sudden slip is a cause for concern, however. Once yoir genuine cuteness is called into question, it can be hard to recover.

#41-50: Attitude Magazine and the Australian soap Home and Away both deserve credit for their consistent stream of contenders to this list: Recent coverboys Ed Speleers and Jody Latham came to my attention through the lens of that British gaymag, and it’s even responsible for me discovering Skins. My appreciation is not diminished by the fact that Joe Dempsie takes a toll this month. As far as Home and Away is concerned, we welcomed the geeky good-looks of Jason Smith, alongside such current and former alumni as Mitch Firth, Chris Egan, Rhys Wakefield and Ryan Clarke. In a surprising move, mostly fueled by his cynical sexiness in Igby Goes Down, 90’s heartthrob Ryan Phillippe, makes the cut. Alfie Allen, seems to be headed out in the dark, slipping from the top 30, when one day I just couldn’t quite remember why I was drawn to him in the first place (he too, recently graced the pages of Attitude).

Here’s the entire list:

  1. Hunter Parrish (Previous ranking: 5)
  2. Jesse McCartney (1)
  3. Emile Hirsch (12)
  4. Nicholas Hoult (2)
  5. Cristiano Ronaldo (6)
  6. Mitch Hewer (3)
  7. Charlie Hunnam (4)
  8. Zac Efron (8 )
  9. Alex Pettyfer (11)
  10. David Gallagher (7)
  11. Ricky Ullman (16)
  12. Sean Faris (9)
  13. Ryan Sheckler (new)
  14. Mitch Firth (13)
  15. Jeremy Sumpter (15)
  16. Logan Lerman (27)
  17. Jamie Bell (19)
  18. Chris Egan (17)
  19. Jesse Eisenberg (10)
  20. Raphael Nadal (33)
  21. Chris Lowell (22)
  22. Tyler Hoechlin (18 )
  23. David Archuleta (new)
  24. Max Theriot (new)
  25. Ryan Donowho (32)
  26. Kevin Zegers (20)
  27. Chace Crawford (new)
  28. Leonardo DiCaprio (14)
  29. Aaron Carter (21)
  30. Fernando Torres (34)
  31. Brady Corbett (28 )
  32. Michael Cera (24)
  33. Gareth Bale (new)
  34. Frankie Muniz (25)
  35. Ed Speleers (29)
  36. Randy Harrison (31)
  37. Adam Brody (26)
  38. Rhys Wakefield (new)
  39. Ryan Clarke (37)
  40. Aurelien Wiik (23)
  41. Jay Brannan (40)
  42. Jody Latham (new)
  43. Jay Baruchel (38 )
  44. Joseph Gordon-Levitt (41)
  45. John Dempsie (35)
  46. Lukas Podolski (new)
  47. Kostja Ullmann
  48. Jason Smith (new)
  49. Ryan Phillippe (new)
  50. Alfie Allen (30)
Posted in Attitude Magazine, gay, sexy males | Tagged , | 6 Comments

In ‘Weeds’, Hunter Parrish’s From Behind Moment

I can only hope that the average reader of this blog only pops in occasionally, and that he does not take the time to assess the overarching themes it covers. If thoroughgoing readers actually do exist, I’m afraid they would be led to believe that this is mainly a blog about male behinds. And yes, I admit to having heaped praise on the behinds of a number of young cuties: Daniel Radcliffe, Jamie Bell, Mitch Hewer and Nicholas Hoult have all earned themselves a drooling post. But be patient, dear reader. This blog is about much more than that.

Just not today (either). In a recent post touting the obvious hunkiness of Hunter Parrish, I noted that he was set to have a nude scene this season. Turns out that moment was closer than I knew. In this week’s Weeds episode Silas Botwin gets down to business on his MILF crush, and in the process, Hunter’s ass is visible for little more than a second. The first time I saw the short clip, I briefly paused to appreciate the fact that I live in this day and age, when such scoops are immediately posted on the web, and that stills are instantly available, to be consulted endlessly for pleasure.

So, what do I think about the goods on display? I would be lying if I said I wasn’t a little disappointed. You can’t get a full view of it, and the lighting, too, works to make the scene less pleasurable than it could have been. Still, it seems ungrateful to complain. It’s not everyday one of the world’s sexiest males offers up his ass to the general public, and a muscular and well-tanned one at that. And don’t get my started on his extraordinary back and shoulders. How hot is that!

Nobody’s perfect, but few come as close as Hunter Parrish. And when not even the lasting image of that older woman serves to cool my feelings, I’d consider mission accomplished.

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With Shirtless Hunter Parrish, The Sky Is The Limit For ‘Weeds’

I usually find no reason to hide that I’m gay, or to hide things that might reveal my orientation (except, of course, for gay porn). Quite the opposite, actually. My Attitude issues are on proper display, and I’ve made no secret of my fondness for bands such as Hanson and Savage Garden, neither of which are exactly the straightest acts in pop. Still, for someone like me, who’s still weirdly uncomfortable about other people commenting on my being gay, there’s something utterly relieving about a film, a band or a TV show with hot people in it whose quality is beyond doubt. That way, at least people won’t assume you’re gay simply for watching it, or listening to it.

This was more important before I came out, but still. Try for yourself to explain why their was some plausible, totally non-sexual reason you were caught watching the Jesse McCartney soap Summerland or gay themed tear-jerker Dawson’s Creek. Of course, you’d be hard pressed to find any. Same goes for a more recent example like High School Musical. If you’re not out yet, it won’t out you, but your social status will take a hit. If you’re out, you’ve just stereotyped yourself as a shallow horndog (which of course could be pretty close to the truth, but let’s say it isn’t, for the sake of argument. At least not all the time).

Anyway, all this takes us to Showtime’s comedy Weeds, arguably the best show on American TV. It’s so clever, funny, fresh and unpredictable that no one would ever suspect even the gayest of friends to watch it for shallow reasons. It’s so good it could very well be the perfect comedy to bring people together across sexual orientations. And it holds even though there is an openly gay recurring character (Nancy’s assistant Sanjay) on.

Consider the relationship between Hunter Parrish and Mary-Kate Olsen’s respective characters in season three. I assume more than a few straight guys and lesbians drooled over Olsen, while gays and straight women were having a field day with him. Yet nobody assumed anything about each other. Maybe TV is a force of freedom after all. We’ll see if it holds up in the ongoing fourth season, in which Olsen is out of the picture, and Silas Botwin turns his attention to older women.

But all said, I honestly don’t give a fuck about any of this. What I do care about, however, is Hunter Parrish’s new look, which is super hot. And ditto for his torso. And shoulders. And ass. To top it all of, he’s reported to have  a nude scene coming up. I wouldn’t miss it for the world. Weeds sure treats fans well.

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Pull The Plug On ‘Don’t Ask, Don’t Tell’

The ‘Don’t Ask, Don’t Tell’ (DADT) policy that allows gays and lesbians to serve in the U.S. military so long as they don’t disclose their sexual orientation, was a compromise the Clinton Administration crafted in the early nineties after squandering nearly all of its political capital on the issue at the beginning of its first term. It was seen as a step in the right direction by liberals, but the problem was that it accepted one deeply disturbing underlying premise: That openly gay servicemen and -women would pose a threath to troop cohesion and the overall efficiency of the military. Democratic presidential contender Barack Obama has said he favors a repeal of DADT, and even conservative Democrats like former Georgia Senator Sam Nunn has called for a ‘review’ of its consequences.

So, is change on the way? The answer of course depends on who wins the presidency in the November election, but even if the progressive Illinois Democrat is sworn in, DADT will only be on the table. The only thing we know for sure, is that DADT has a strong supporter in Obama’s opponent, Senator John McCain. In the widely panned CNN/YouTube debate last year, McCain said he believed DADT to be ‘working’, and he shared a stage with California Representative Duncan Hunter, who answered a question from a gay retired military man, by scaring him with the consequences for ‘troop cohesion’ and ‘effectiveness in combat’ if the policy were to change.

In a recent interview with CBS’s newsmagazine 60 Minutes, Congressman Hunter reiterated these statements, and he even elaborated on them. Apparently, Hunter consider blocking gays from serving openly is some uniqely American value, one that not only preserves the military’s moral high ground (sic!), but also sets the American way apart from their European counterparts, for which this is not even considered a problem. When asked about why important allies like Great Britain have report no problems after lift their gay ban in the military, Hunter dug himself into a long and utterly pathetic monologue about how different military strategies could explain the differing attitudes. To Hunter, the Europeans ‘can afford’ to have gays in their military because their responsibilities are largely ‘peace-keeping missions’, in which the threath to troop cohesion apparently are not as grave. Americans, on the other hands, are fighting real wars, and hence the wimpy gays should be left out, for the good of both them and their straight comrades.

Well, no. It might be that the military is still a conservative bastion, but if the rules are changed, one would expect them to adapt. Young people are known to be more accepting of gays than older, and the public mood is swaying heavily toward allowing gays to serve. The obvious question then, being: Are high-ranking officials using recruits as an excuse for their own outdated values? And by constantly fretting about ‘troop cohesion’, isn’t the military telling people indirectly that a) our soldiers are not as professional as we might think; and b) it’s O.K. to take sexual orientation into account when it comes to solidarity on the battlefield? If either one of these two are right, this is highly disturbing.

The last point Congressman Hunter made was that letting gays serve could damage recruitment numbers. Obviously, this phony argument was doomed the moment it was uttered. The main reason the American military is able to meet its goals even today, is because the scores you have to get to join are constantly lowered. The sign-up premiums have shot up, and now even former criminals are accepted, to help fill the quotas. At the same time, 4,000 gays and lesbians are shut out every year, not because that are unfit to serve, but because they are gay servants. It’s bad enough that conservatives like Duncan Hunter wants to cripple the US military to keep his moral banner high. What’s even worse is that he won’t offer the real reason: He’s a homophobe.

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Zac Efron, Feel The Love Tonight!

Rewatching High School Musical 2 this weekend did little to change my feelings about the movie (still mostly positive), but, having watched it several times already, my attention was drawn to things I hadn’t noticed the first times around. Most importantly, I realized I kept coming back to this movie not only because Zac Efron is sexy and the movie is pure escapist fun, but also because I quite like the music. I’ve always insisted that I’m not into musicals, but over the last couple of years, Moulin Rouge, Hairspray and the HSM franchise have repeatedly proven me otherwise.

It was one particular scene in High School Musical 2 that convinced me that this anti-musical prejudice is simply stupid. Even though I’ve never though of them as such, I realized that many of my old favorites among the animated Disney classics (The Jungle Book, The Lion King) are basically structured as musicals, and and damn good ones at that. (Both of them have actually been adapted to the stage in recent years.) Thus, I should be neither surprised nor embarrassed to embrace HSM2, a film from the Disney offset Disney Channel, and the more unabashed musical. All this dawned on me while watching Zac Efron perform the incredibly catchy solo number Bet On It. (Think N*Sync-era Justin Timberlake, complete with Cry Me A River-like jumpkicks).

Exactly why Efron’s character Troy Bolton at 2:25 into the song suddenly feels a need to stare at his own image in the water as if he was the reincarnation of Lion King‘s Simba is beyond me, but it’s there, and it’s so corny it’s actually kinda cute. Considering the target audience of HSM2 is barely old enough to have grown out of their Simba-philia, it makes perfect sense, too. Kids live off the safe and recognizable, and HSM2 taps into their rather limited arsenal of common pop culture references, whether intended or not. But if you ask how I noticed this, I will have no answer to offer up.

It doesn’t stop there, however. Could it really be a coincidence that when Efron in Everyday sings “I believe that you and me should grab it while we can“, the melody closely resembles when Elton Johns sings “When the heat of the rolling world can be turned away” from Can You Feel The Love Tonight? I think not.

I’m not sure what this does to my assessment of HSM2, but I’m pretty sure it’s not a bad thing.

Posted in film, movies, TV | Tagged , , , , | 2 Comments